Bronwyn Bailey-Charteris; The Hydrocene: Eco-Aesthetics in the Age of Water; pp 105-128
Manchán Magan; ‘What is the preserving shrine?’ thoughts on Clare Milledge’s exhibition bramble-hound, heron-wound: two stone wolves. catalogue essay

Josephine Mead; The Intuitive Abilities of Clare Milledge, Artguide, feature
ACCA, From the other side, catalogue 

Emma Pinsent; Clare Milledge Imbas: a well at the bottom of the sea; BAM, feature, pp 52-55 
Anabelle Lacroix; Circles of ResonanceArt Monthly Australasia, feature, pp 72-79
Biennale of Sydney, rīvus a glossary of water catalogue

Tom Melick, Living Annotations; NGV Triennial, catalogue: Pt 2 Illuminations, pp 136 - 149

Amelia Wallin; Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge; Artlink: Local Colour; Issue 39:1 | March 2019 pp 30-35

Anna Dunnill, ‘Sacks of wind: a rock harder than rock’, exhibition preview, Art Guide Australia, December 2018. 
Ned Reilly, ‘Vegesingularity’, Art + Australia, issue 3, (54.2): Unnaturalism, May 2018, pp. 54–63.

Anna Dunnill, ‘Remedial Works’, exhibition review, Runway Experimental Arts.
Andreas Breivik and Victoria Duffee, ‘Clare Milledge at the Museum for Contemporary Art’, performance review, Vi ser på Kunst. 
‘Symposium: Clare Milledge’, Museum, issue 7: Factory.

Astrid Lorange, Reading Paintings and Poetry, Blackbox Manifold, Issue 16
Astrid Lorange, Alien Intimacy, exhibition text for Skara Thynge: Travelling Stock Reserves, The Commercial Gallery, Sydney
Magic Object: Adelaide Biennial, exhibition catalogue
Molly McPhee; Stigma: The Work of the Straightener; exhibition catalogue for Erewhon
Vikki McInnes; Dark Presents, Dark Futures; exhibition catalogue for Erewhon
Marian Tubbs, ‘Vortices and abstraction: and in the end relations’, Oberon, vol. 2, pp. 50–54
Craig Judd, ‘This Thing’, catalogue essay, Magic Object: Adelaide Biennial 
Sebastian Goldspink, ‘Elements: The Shaman’, catalogue essay, Magic Object: Adelaide Biennial. 
Craig Judd, ‘The Mnemonic Mirror’, Artlink, exhibition review, 3 June 2016. 

Tom Melick, Sit on me, said the rock and I’ll speak, unpublished text for Behavioral Modernity, Vienna
Neha Kale, Searching for Meaning Amid the Mess, Vault Magazine, July 2015, Issue 10, p 18-19

Tom Melick, A Speculative Dictionary for Clare Milledge, exhibition text for Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney
Kyla McFarlane, The Suppository of All Wisdom, Altus Duel: Total Environment, Gertrude Contemporary, Melbourne; exhibition catalogue essay

Isobel Parker Phillip, Clare Milledge, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, 22 March – 13 April 2013, review, UN Projects Issue 7.1 p 19

Catherine Bennetts-Cash, Un-Acclimatised, exhibition catalogue, Monash University Museum of Art, Melbourne

Margaret Farmer, Bad Angle, review, Artlink Magazine, Vol. 31, #3 p.89
Anne Ferran, On Abjection and Love, exhibition catalogue for The Stain, Verge Gallery, The University of Sydney, Sydney
The Helen Lempriere Travelling Art Scholarship, exhibition catalogue, Artspace, Sydney

Ian Houston-Shadwell, Art is not Epistemology, exhibition catalogue, The Last Visible Dog, Grantpirrie, Sydney
Biljana Jancic, In The Manner Of Excess, exhibition catalogue, From the Scrapheap of False Metaphors and Other Draft Deceits, Gallery 9, Sydney

The Helen Lempriere Travelling Art Scholarship, exhibition catalogue, Artspace, Sydney
Alison Kubler, As Black as Stone, exh. cat. Neo Goth: Back in Black, University of Queensland Art Museum, Brisbane

Verk/Work, exh. cat., Office of Contemporary Art Norway and Nordisk Kulturfond