clare milledge - Self-reflexive critiques

Self-Reflexive Critiques: Abecedaries

2016-2017

Hinterglasmalerei (behind glass paintings) based on geographically specific ecological surveys of vertebrate species using the phone app Tinder and human translations of

other vertebrate species calls.

Surveys have been exhibited in the following locations:

GLENORCHY (NZ) / OSLO (NO)

25 km radius of Glenorchy/25 km radius of Oslo

What Remains

Group exhibition curated by Silja Leifsdottir,

by invitation of Tori Wrånes,

Fotogalleriet, Oslo

http://moussemagazine.it/remains-fotogalleriet-oslo-2017/

BYRON BAY (AU)

25 km radius of Broken Head

The Mnemonic Mirror,

Group exhibition curated by Kylie Banyard and Gary Carsley,

Griffith University Art Gallery, Brisbane, 8 Dec 2016 - 11 Mar 2017

SYDNEY (AU)

25 km radius of Marrickville

UTS Art Gallery, Sydney, 10 May—1 Jul 2016

Text by Astrid Lorange here

Research has been conducted with the support of and in affiliation with UNSW Art & Design.

Antipodean Field Survey: Vertebrate calls Glenorchy, NZ and Oslo, NO 1.2.17 - 7.2.17, installation view Fotogalleriet, acrylic on glass, photography by Istvan Virag

Self-Reflexive Critique: Alpha Lamda (Byron Bay); 2017; Installation view GUAG; acrylic on glass; photography by Kylie Banyard

Self-Reflexive Critique: Alpha Mu, installation view UTS Gallery, acrylic on glass, dimensions variable, photography by David Lawrey

Self-Reflexive Critique: Alpha Mu; 2016; installation view UTS Gallery; acrylic on glass, dimensions variable; photography by David Lawrey.

Self-Reflexive Critique: Iota; 2016; UTS Gallery, oil on glass, paint rag, bronze; photography by Jessica Maurer

War Memorial (VIC); 2014; UTS Gallery; oil on toughened glass, acrylic on hessian, plastic packaging and tape, bronze; photography by Jessica Maurer.