clare milledge

hello
contact
now
nose
bio
cv
bibliography
posters
green face group
a list

library

keys

2024

2023
from the other side
living patterns
lfp mottled and green: looking for a cleric sib

2022
still life
imbás: a well at the bottom of the sea

2021
dychymyg dychymyg: tree alphabet
freedom of sleep

2020
imbolc
eidothea: immortal clones of the perlite deposits
little shrike-thrush calling in the gully
police camp: passive recreation area

2019
pleasure plants
ruler, rete
art as fieldwork: hot spell on the way

2018
sacks of wind: a rock harder than rock

2017
what remains
strigiformes: binocular, binaural
remedial works

2016
erewhon
the mnemonic mirror
skara thynge: travelling stock reserves
magic object
dämmerschlaf

2015
neverwhere
casual conversations
academic suspicions:

2014
altus duel: total environment
psychomagic: dead matters
theoretical regression: a warm sheen against received..

2013
anthropocene circle: theory theory
motivated reasoning: strategic, tactical, operational

2012
ladies and gentlemen
un-acclimatised
three/three
maximalist ritualist II
maximalist ritualist

2011
situation as object
cave art: retarded transcendence
bad angle
the stain

2010
the personal effects of lord owl
lord owl

2009
the last visible dog

2008
the swamp age
and then nothing turned itself inside out
neo goth: back in black

2007
gothic ananas (video)

2006
verk
the summer destruction show

2005
space age

2013 Milledge; PhD

Examples of work

CLARE MILLEDGE

hello
contact
now
nose
bio
cv
bibliography
posters
green face group
a list

library

keys

2024

2023
from the other side
living patterns
lfp mottled and green: looking for a cleric sib

2022
still life
imbás: a well at the bottom of the sea

2021
dychymyg dychymyg: tree alphabet
freedom of sleep

2020
imbolc
eidothea: immortal clones of the perlite deposits
little shrike-thrush calling in the gully
police camp: passive recreation area

2019
pleasure plants
ruler, rete
art as fieldwork: hot spell on the way

2018
sacks of wind: a rock harder than rock

2017
what remains
strigiformes: binocular, binaural
remedial works

2016
erewhon
the mnemonic mirror
skara thynge: travelling stock reserves
magic object
dämmerschlaf

2015
neverwhere
casual conversations
academic suspicions:

2014
altus duel: total environment
psychomagic: dead matters
theoretical regression: a warm sheen against received..

2013
anthropocene circle: theory theory
motivated reasoning: strategic, tactical, operational

2012
ladies and gentlemen
un-acclimatised
three/three
maximalist ritualist II
maximalist ritualist

2011
situation as object
cave art: retarded transcendence
bad angle
the stain

2010
the personal effects of lord owl
lord owl

2009
the last visible dog

2008
the swamp age
and then nothing turned itself inside out
neo goth: back in black

2007
gothic ananas (video)

2006
verk
the summer destruction show

2005
space age

2013 Milledge; PhD

Examples of work

pleasure plants

ruler, rete

art as fieldwork: hot spell on the way

I acknowledge the owners of the basalt-rainforest-sea country I grew up on and return to: the Widjabul Wia-bal and Arakwal people of Bundjalung Nation. I acknowledge the owners of the sandstone-grasstree-sea country that I was born on, live on and work on: the Garigal, Gadigal and Bidjigal people. I recognise that the values, protocols and the knowledge held by First Nations people have kept this country healthy and strong for over 65,000 yrs. Listening deeply to First Nations people is crucial for our sustained existence. Respect to all First Nations people, their Elders, culture and continued connection to Country. Always was, always will be Aboriginal land. Remember, sovereignty was never ceded and colonial violence continues. My practice is grounded in recognition and respect for the intricate ecosystem on our mineral-earth and the eukaryota-archaea-bacteria, who are all our relatives and who we share our ancestry with.