«I am a spear: that roars for blood; I am a salmon: in a pool» 2019, recycled textiles, paint rags, wood, acrylic, wax worm joint, oil, umbrella, cinefoil, towel from @blindside_ari . 190 x 175 x 7 cm
«I am a spear: that roars for blood; I am a salmon: in a pool» 2019, recycled textiles, paint rags, wood, acrylic, wax worm joint, oil, umbrella, cinefoil, towel from @blindside_ari . 190 x 175 x 7 cm
«I am a flood: across a plain; I am a thorn: beneath the nail» 2019, recycled textiles, paint rags, wood, acrylic, wax, oil, Grandmothers feathers. 205 x 208 x 7 cm.
«I am a flood: across a plain; I am a thorn: beneath the nail» 2019, recycled textiles, paint rags, wood, acrylic, wax, oil, Grandmothers feathers. 205 x 208 x 7 cm.
group exhibition
Second Sight: Witchcraft, Ritual, Power
The University of Queensland Art Museum
1 March - 29 June 2019

Albrecht Dürer, Emily Hunt, Eric Bridgeman, Giovanni Benedetto Castiglione, Hans Baldung Grien, Judith Wright, Mikala Dwyer, Monika Behrens and Rochelle Haley and Naomi Blacklock

curated by Samantha Littley, Michele Helmrich and Jess O'Farrell


Live collaborative performance in Milledge's installation by Austin Buckett and Tom Smith, using Milledge's fieldwork material and the resident Roger Pogson pipe organ, atop the collaborative stage design by Clare Milledge and Luke Pigliacampo.

Performance and installation photography by Simon Woods
Textile painting photography Jessica Maurer
Framing by Dan Hollier

Project assisted by The Australia Council for the Arts and UNSW Art & Design