"Imbás: a well at the bottom of the sea" at Pier 2/3 for the 23rd Biennale of Sydney: rīvus in 2022. Ahimsa silk, reclaimed textiles, natural indigo, copper cauldrons, debris from regenerated soil, borrowed timber, sound, rope, glass, oil. Installation detail. Photograph by Jessica Maurer.
"Imbás: a well at the bottom of the sea" at Pier 2/3 for the 23rd Biennale of Sydney: rīvus in 2022. Ahimsa silk, reclaimed textiles, natural indigo, copper cauldrons, debris from regenerated soil, borrowed timber, sound, rope, glass, oil. Installation detail. Photograph by Jessica Maurer.
"Imbás: a well at the bottom of the sea" at Pier 2/3 for the 23rd Biennale of Sydney: rīvus in 2022. Ahimsa silk, reclaimed textiles, natural indigo, copper cauldrons, debris from regenerated soil, borrowed timber, sound, rope, glass, oil. Installation detail. Photograph by Jessica Maurer.
"Eidothea: Immortal Clones of the Perlite Deposits & Hollow-Bearer" 2020. Stained glass, oil, lead, borrowed timber, pallet, old bottle, perlite, borrowed fence pales. In the Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Gallery. Installation detail. Photography by Jessica Maurer.
"Eidothea: Immortal Clones of the Perlite Deposits & Hollow-Bearer" 2020. Stained glass, oil, lead, borrowed timber, pallet, old bottle, perlite, borrowed fence pales. In the Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Gallery. Installation detail. Photography by Jessica Maurer.
"Eidothea: Immortal Clones of the Perlite Deposits & Hollow-Bearer" 2020. Stained glass, oil, lead, borrowed timber, pallet, old bottle, perlite, borrowed fence pales. In the Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Gallery. Installation detail. Photography by Jessica Maurer.
"Eidothea: Immortal Clones of the Perlite Deposits & Hollow-Bearer" 2020. Stained glass, oil, lead, borrowed timber, pallet, old bottle, perlite, borrowed fence pales. In the Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Gallery. Installation detail. Photography by Jessica Maurer.
"Little shrike-thrush calling in the gully: in praise of shadows" 2020, LoveArt in iso, oil on toughened glass, lead, galvanised steel wire
47.5 x 46 cm five parts each. Photograph by Clare Milledge.
"Strigiformes: Binocular, Binaural" (banner) 2017, Remedial Works at PICA, Perth Institute of Contemporary Art. Silk and reclaimed textiles. Approximately 12 metres by 4 metres. Photograph by Dan Bourke.
"Strigiformes: Binocular, Binaural" (performance and objects) 2017, by special invitation of Tori Wrånes for her solo exhibition "Hot Pocket", curated by Stina Høgkvist, Contemporary Art Museum, Nasjonal Museet, Oslo.